I'm figuring out how to create a web site here... The above sky was the least ... intrusive ... Weebly element I could find.
Work in progress! Below is a poor-quality scan of a recent NASA ADS (Astrophysics Data System) poster.
The cleaned-up, better version was... too huge.
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Not your grandmother's ADS
Acrylic on paper.
Work in progress! Below is a poor-quality scan of a recent NASA ADS (Astrophysics Data System) poster.
The cleaned-up, better version was... too huge.
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Not your grandmother's ADS
Acrylic on paper.
This isn't your grandmother's ADS!
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Below is a page from Orion, a Swiss journal.
The article is about art and astronomy. The drawing at the top, right is in Conté crayon.
The nude, bottom right, is a watercolor. I enlarged the "Space" image, (see below).
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Ground fog in a New Hampshire field
Here's a better view of the picture shown in the article. It's done in Conté crayon on paper.
A a multi-layered, multi-technique, multi-medium monotype.
Comet
Above: a monotype print using water color.
Above: a monotype print using water color.
Betty's Blue
Below, my first ADS poster, inspired by Roy Lichtenstein.
It's in acrylic on paper.
Below, my first ADS poster, inspired by Roy Lichtenstein.
It's in acrylic on paper.
Kite, below, another monotype print.
I
Poor Ted
Always Check the ADS FIRST!
This is acrylic on paper, with an overlay.
Above is a 2011 beach study in Conté crayon on paper.
Above is a 2013 study of Cape Cod marshland, in ink on paper.
I'm still not up to speed with weebly -- it's not their fault! (Though they don't like é -- it comes out green.)
Below is a portrait of a small part of my friend Camille's excellent rock garden. It ... rocks.
Above: Fogscape -- fine art marker, pen and ink, Conté crayon on paper.
Below: Still Life with Rooster
(or Portrait of a Distant Relative)
fine art markers and Conté crayon on paper.
Below:
These are fast sketches (10 to 20 minutes).
No particular claims are made for them as high art (!), and the photos were hastily made.
The drawings in Conté crayon and acrylic paint were done in open studio sessions.
Finally I had enough time with the model to make a painting! This is about an hour with the model, plus two without her.
The photograph isn't great: the model's legs aren't really glowing, I'm just not very good with my camera.
I get reflections off of the shiny acrylic paint. Maybe I'll try again another day, outdoors...